Should you go to Lion?

If you are considering using the new Lion OS and you also use Creative Suite applications, you should read this post from Adobe:

http://t.co/yCrAG1I

Seems like most things are working OK, but the Apple Adobe battle over Flash may drag on and on. Now you have to install Flash manually.

There is no Rosetta in the new operating software, so if you have any legacy applications that depend on Rosetta to run, (such as Quicken 2007, some versions of FileMaker and Office 2004) you will need to stay on Snow Leopard. To find out if your important applications are running through Rosetta have them open and then open Activity Monitor. In the column called “Kind” you will see them listed as Intel or PowerPC. The Intel ones will work fine, PowerPC ones will not.

Apparently InDesign works fine.

But I am waiting awhile.

 

Update July 24:
Another app beloved by graphic designers, that will not work: Extensis Suitcase Fusion
Also:
Preps (Kodak’s imposition software)
Mactheripper (DVD ripping software)
EFax Messenger
Avid Media Composer
Avid ProTools
Eudora
1Password safari extension
Dropbox ( afix is reported, but I don’t use Dropbox anymore, so I can’t be sure)
Logic Pro Studio
Skype
Some versions of iPhoto (9.1.1)!!
Evernote
Bar Code Pro
Canon EOS Utility

I have listed the graphics related software (and some others that I use) but to get a better list check out Roaring Apps

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InDesign Word Spacing

In InDesign, one of the possible text adjustments that is most often overlooked, at least by my students, is Justification limits.

To open the Justification panel, place your cursor in a paragraph, or select text in one or more paragraphs and from the Paragraph panel select Justification (Command+Option+J or Ctrl+Alt+J) and set the percentages you want. Make sure the Preview box is checked, and in the top Word Spacing section, start with a large maximum number, then set the Desired percentage. And you will see the spacings change.

You can also toggle from Adobe Single-line Composer to Adobe Paragraph Composer and see which works best for you in your particular circumstance.

 

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InDesign Tips

You can sign up for the Tip of the Week from InDesign Magazine here.

The current one, from Yves Peters, about reversing quote marks is very useful:
Turn Around Apostrophes
When Use Typographer’s Quotes (Preferences > Type) is on, InDesign automatically converts straight or “dumb” quotes into curly or “smart” quotes during text entry. That’s usually desirable; however, this automatic conversion can produce unwanted results. For example, the presence of a space before abbreviated years like ’11 for 2011 incorrectly produces an opening single quotation mark. To produce the correct apostrophe in this situation, press Option/Alt-Shift-].

And another good one from earlier this year:
From – David Blatner and Mike Rankin:
Put Your Files on a Diet For the slimmest possible InDesign files, follow these rules:
 

  1. Don’t copy and paste content from Photoshop or a web browser.
  2. Don’t place images right out of a digital camera into InDesign.
  3. Don’t leave extra items floating around (stuff on pasteboards, extra master pages or styles, and so on).
  4. Do go to File > Save As to create a duplicate of your document.
  5. Do resize images and set their resolution in Photoshop, not InDesign.
  6. Do export as IDML or INX to clear out corruption and unneeded gunk.

 

 

 

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The power of font choice

From the New York Times
April 18, 2011
Benedict Carey wrote:

“In a recent study published in the journal Cognition, psychologists at Princeton and Indiana University had 28 men and women read about three species of aliens…
Half the participants studied the text in 16-point Arial font, and the other half in 12-point Comic Sans MS or 12-point Bodoni MT, both of which are relatively unfamiliar and harder for the brain to process.
After a short break, the participants took an exam, and those who had studied in the harder-to-read fonts outperformed the others on the test, 85.5 percent to 72.8 percent, on average.
To test the approach in the classroom, the researchers conducted a large experiment involving 222 students at a public school in Chesterland, Ohio. One group had all its supplementary study materials, in English, history and science courses, reset in an unusual font, like Monotype Corsiva. The others studied as before. After the lessons were completed, the researchers evaluated the classes’ relevant tests and found that those students who’d been squinting at the stranger typefaces did significantly better than the others in all the classes — particularly in physics.
“The reason that the unusual fonts are effective is that it causes us to think more deeply about the material,” a co-author of the study, Daniel M. Oppenheimer, a psychologist at Princeton.”

Who would imagine that Comic Sans would prove to be a learning tool? Despite using Comic Sans to aid learning, it is still a hideous font. Bodoni is an elegant font when used correctly, and Corsiva has uses, although rarely is it a great alternative.
So if you design with an unfamiliar font, at least make it an attractive one.

 

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Careful about OS X 10.6.7

Macintosh OS X users, be aware that OS X 10.6.7 has serious problems with PostScript OpenType fonts.

See the relevant information here.

I would suggest waiting to upgrade. If your system automatically asks you to install the upgrade, decline. Hopefully this will be fixed soon.

LATER:
This issue now seems to be fixed.

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What are we doing here?

As I teach design to people around the world through Session College of Professional Design and in other situations, I find students very involved in making clever or pretty pieces.

Very seldom do I find students who listen (or in my case read) instructions, and the act on them. They seem to be carried away in creating “art,” regardless of its effectiveness.

The primary function of visual design is to communicate.

If you ask many design students what their primary function is, most will define their tasks with something like:
”Communicate a message” or “Applying an appropriate and aesthetic a visual look to an object or concept,” “Visually presenting and organizing information,” or “Presenting a loosely-defined visual language in which colors, shapes, textures, and/or type are combined to create a structure that communicates ideas in a recognizable, easily digestible way for the intended audience.” But their practice is often something very different. There is a tendency to loose touch with the communication aspect of design.
So I am asking my students to answer for themselves what they are actually doing to communicate their audience?
I think their answers should include one or more from the following list:
1. Passing on information.
2. Selling a product or service.
3. Displaying something beautiful or ugly.
4. Encouraging communities.
5. Disseminating ideas.
6. Inspiring people to do act or think in a certain way.
7. A call to action.
8. Inflame or anger people.

Design can be uplifting, shocking stimulating, provocative, plain or decorative, or witty.
There are many definitions and descriptions, but this list is a place to start being aware of the function of design. In reality we have many different clients with an infinite list of needs. But I think the eight points above will cover a large majority of our daily tasks.
After grabbing the viewer’s eye, design can said to convey information clearly and efficiently. On a practical level, if it doesn’t do this, we are unlikely to have satisfied customers.

So when we design a piece, be it a book, a poster, a business card, a CD label, a website, or a railway ticket, we should have a clear idea what it is we are trying to achieve, and being able to judge if our efforts are effective.

It is always good to take some time and look at work in progress, and especially finished pieces, to see through the eyes of the intended audience.
I encourage beginning designers to make a list of the audience, what the client wants to communicate, and strategies they are/have used to achieve this. Doing this before showing it to your client is a good method of ensuring repeat business. Getting negative feedback from a client is not the way to get this information.

What are you motivations as a designer?

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Words of advice

I just came upon this, which seems like sage advice for would be designers:

… Two aspects of a type are fundamental to its effectiveness. Because the common meaning of “legible” is “readable” there are those – even some professionally involved in typography – who think that the term “legibility” is all that is needed in any discussion on the effectiveness of types. But legibility and readability are separate, though connected aspects of type. Properly understood the two terms can help to describe the character and function of type more precisely than legibility alone.
In typography we need to draw the definition of legibility to mean the quality of being decipherable and recognisable – so that we can say, for example, that the lowercase h in a particular old style italic is not legible in small sizes because its in-turned leg makes it look like the letter b; or a figure 3 in a classified advertisement is too similar to the 8.
In display sizes, legibility ceases to be a serious matter; a character that causes uncertainty at 8 point size is plain enough at 24 point.

Walter Tracy, Letters of Credit

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Finding a stolen computer

I have not had any computer/phone equipment stolen since I left the first model Palm phone on a desk at a trade show many years ago. I seem to remember it was in 1994 at a Guttenberg Printing show in Long Beach. When I reported it to the organizers, they thought I was mad. They had never heard about mobile phones.

So now 17 years later I have several computers and occasionally I get paranoid about someone taking one of them. So I though I would sign up for a free Mobile Me account and log in each device with their Find My Phone, but I could not find a Find My Mac/PC.

So I looked around for alternatives, and the one that strikes me as the best of the bunch Prey. This is OpenSource software (free) and there is a more advanced version that costs $5 a month. So I am trying out the free version.

It does some useful things. First there is no obvious software on the computer in question, so the thief doesn’t know it is installed.

Once you notice the device is missing you can turn on “reporting” from their website. This does several things: Turns on IP address tracking, so you can tell from where the computer is connected, it displays a map of the location, using the whatever camera is attached to the device it photographs whoever is sitting in front of the camera, it shows screen capture of what is happening on the screen, and sends this report every ten minutes to you over the email address you used to set up the device.

Not only that you can lock the device, hides emails, passwords and other personal data, and can also sound alarms on the computer and tells the viewer they are being monitored.

If you have an Android phone you can install this and it performs the same function, but you need to send the phone an SMS message to start the reporting.

All of this is free.

As yet, there is no iPhone or iPad device, but in the meantime I am placing this on all my computers.

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New versions of Lightroom and Camera Raw

I thought you would like to know that Adobe today announced the Lightroom 3.4 and Camera Raw 6.4 Release Candidates are available for immediate download on Adobe Labs. The Release Candidates bring raw file support to seven popular camera models including Canon EOS Rebel T3i and Olympus E-PL1s, improve on lens correction profiles introduced in the Lightroom 3.3 and Camera Raw 6.3 releases, and add over 10 new lens profiles to help photographers automatically correct unwanted distortion and chromatic aberration.

In addition, the Lightroom 3.4 and Camera Raw 6.4 Release Candidates address a number of issues reported by customers on the previous releases. Adobe encourages the community to provide feedback on the updates so it can ensure the highest quality experience for customers working on diverse hardware and software configurations.

Lightroom is the essential digital photography workflow solution, helping serious amateur and professional photographers quickly import, manage, enhance and showcase all their images within one application. The Photoshop Camera Raw plug-in provides fast and easy access to raw image formats produced by many leading digital cameras.

Pricing and Availability
The Lightroom 3.4 Release Candidate is available as a free download for Lightroom 3 customers, and the Photoshop Camera Raw 6.4 Release Candidate is available as a free download for Photoshop CS5 customers. For more information and to test out the updates, visit . Feedback can be provided on the Adobe User to User forum.
*Please visit the Lightroom Journal for more information on these releases and a full list of newly added lens profiles.
Newly Supported Camera Models
Canon EOS 600D (Rebel T3i/Kiss X5)
Canon EOS 1100D (Rebel T3/Kiss X50)
Hasselblad H4D-40
Olympus E-PL1s
Olympus E-PL2
Olympus XZ-1
Samsung NX11

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Moving MIT Logo

For my students at Sessions, you will get to, or maybe already have designed the logo, letterhead, envelope, business cards, and folder for your design business.
Check out this short video
The parts to look for happen at seconds 34 and 35. Stop and check out the details.
Nice work from MIT.
Simple and effective design. Of course there are thousands of similar videos and JPEG’s on the web. Tell me your favorites.
John

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